Believing that Guy is trying to escape, a police officer shoots at him, but instead kills the carousel operator, causing the carousel to spin out of control. To think she may have One of the most popular psychological crime thrillers that Hitchcock ever made is definitely Strangers on a Train, the master's adaptation of crime novelist Patricia Highsmith's debut novel that hit theaters back in 1951.Even though a lot of film scholars over the years considered the movie at least to a degree inferior to Hitchcock's landmark films such as Vertigo or Rear Window, this . The worker who called the police tells them that Bruno, not Guy, is the one he remembers seeing the night of the murder. Amateur tennis star Guy Haines wants to divorce his vulgar and unfaithful small-town wife Miriam, in order to be able to marry the woman he loves. "[27], One of the most memorable single shots in the Hitchcock canon it "is studied by film classes", says Laura Elliott, who played Miriam[28] is her character's strangulation by Bruno on the Magic Isle. effective scene shows Guy floating in a little boat through the Tunnel of Love Is 'Strangers on a Train' based on a book? Strangers on a Train Preview Version (SD; 1:42:57). Guy wants to move into a career in politics and has been dating a senator's daughter (Ann Morton) while awaiting a divorce from his wife. Strangers on a Train(1950) is a suspense thriller by Patricia Highsmith, based on the premise that two strangers swap murders. This is one of Alfred Hitchcock's most complex amd multi-layered films. He has no patience with mediocrity on the set or at a dinner table. "Hitchcock told me that this scene was the most personally frightening moment for him in any of his films", writes biographer Charlotte Chandler. Synopsis. With cast nailed down, a script in hand, and a director of photography in tune with Hitchcock's vision on board, the company was ready to commence filming. [19] Hitchcock preferred the writing credit of Whitfield Cook and Czenzi Ormonde, but Warner Bros. wanted the cachet of the Chandler name and insisted it stay on. I love Hitchcock but hadn't ever watched this one until the other day, and I was pleasantly surprised in some ways but mostly very disappointed. Rowland V. Lee Ranch - Fallbrook Avenue, Canoga Park, Los Angeles, California, USA. Hitchcock British version of the film -- cutting down the intensity of the It looks like WhatsApp is not installed on your phone. It is a twisting story of a male-on-male relationship that Patricia Highsmith often proffered (same-sex, male or female) in her best novels like this one. His obsession with being wrongly accused no doubt refers to a traumatic episode Roman's role as a nice, understanding girl is a switch for her, and she makes it warmly effective. One studio press release gave rise to a myth that still lingers on today. "[37] Bruno, who tells Guy on the train that he admires people "who do things", gets a more vigorous musical treatment from Tiomkin: "Harmonic complexity defines the motifs associated with Bruno: rumbling bass, shocking clusters, and glassy string harmonics. And then, Guy's wife turns up strangled to death. It was not enough for Hitchcock to construct merely a world of doubles even contrasting doubles in a strict polar-opposite structure; for Hitchcock, the good-and-evil, darkness-and-light poles "didn't have to be mutually exclusive. Bruno's --Jeff Shannon, Better still, the two-sided DVD edition of this enduring classic includes both the original version of the film and also the longer prerelease British print, which offers a more overt depiction of Bruno's flamboyant and dangerous personality, and his homoerotic attraction to Guy by way of his deviously indecent proposal. Images from the Hitchcock Gallery (click to view larger versions or search for all relevant images) 1000 Frames of Strangers on a Train (1951), articles about Strangers on a Train (1951), web links to information, articles, reviews, etc, Strangers on a Train (1951) - Warner Brothers (Blu-ray, UK, 2012), Alfred Hitchcock Collection - Warner Brothers (Blu-ray, UK, 2012), Der Fremde im Zug (1951) - Warner Brothers (Blu-ray, Germany, 2012), Strangers on a Train (1951) - Warner Brothers (Blu-ray, USA, 2012), Strangers on a Train (1951) - DVD releases, Strangers on a Train (1951) - Warner Brothers (UK, 2004), Strangers on a Train (1951) - Warner Brothers (USA, 2004), http://the.hitchcock.zone/w/index.php?title=Strangers_on_a_Train_(1951)&oldid=196012, to view all of the DVD releases of this film, see. Hitchcock said that correct casting saved him "a reel of storytelling time", since audiences would sense qualities in the actors that did not have to be spelled out. excellent suspect because of the genius of the actual killer's original plan: fiction when she actually writes mainstream fiction about criminals. on a Train" is not a psychological study, however, but a first-rate Georgetown house when Bruno whispers from across the street to summon him. He told the obscure writer that the famous one hadn't written a solitary line he intended to use, and they would have to start all over on page one, using Cook's treatment as a guide. "[21] Hitchcock, who had drawn gay characters so sharply yet subtly in Rope in 1948, "drafted the left-leaning Cook expressly because he was comfortable with sexually ambiguous characters. Bruno is standing behind an iron gate, the bars casting symbolic shadows on his Guy goes to the Mortons' home, where Anne's father informs Guy that his wife has been murdered. The novel has been adapted multiple times, most famously by Alfred Hitchcock in his 1951 film. But that is precisely what they got: STRANGERS ON A TRAIN. The psychological game that Bruno plays on Guy is to force him to kill Bruno's over-bearing father. "The scene gives a beautifully exact symbolic expression to Guy's relationship with Bruno and what he stands for. blurting out what everyone is afraid to say. Hitchcock's trademark cameo) but you can look for yourself, in chapter six of He narrowed the geographic scope to the Northeast corridor, between Washington, D.C. and New York the novel ranged through the southwest and Florida, among other locales. The merry-go-round scene is not in the book, but is taken from the climax of Edmund Crispin's 1946 novel The Moving Toyshop. "[29], Hitchcock was, above all, the master of great visual setpieces,[32] and "[p]erhaps the most memorable sequence in Strangers on a Train is the climactic fight on a berserk carousel. A recently found longer prerelease British print (Side B) offers "a startling amplification of Bruno's flamboyance, his homoerotic attraction to Guy and his psychotic personality," according to Bill Desowitz of Film Comment. "The man who crawled under the out-of-control carousel was not an actor or a stuntman, but a carousel operator who volunteered for the job. [13] Treatment writer Cook used Guy to make the film "a parable quietly defiant of the Cold War hysteria sweeping America. Critic Jack Sullivan had kinder words for Tiomkin's score for Strangers than did biographer Spoto: "[S]o seamlessly and inevitably does it fit the picture's design that it seems like an element of Hitchcock's storyboards", he writes. Her suspicions aroused, Anne confronts Guy, who tells her the truth about Bruno's scheme. The psychopath suggests that because they each want to "get rid" of someone, they should "exchange" murders, and that way neither will be caught. Yet both men, like so many of Hitchcock's protagonists, are insecure and uncertain of their identity. the Forest Hills tennis club. This piece of film he then enlarged and projected onto a vast screen, positioning actors around and in front of it so that the effect is one of a mob of bystanders into which plaster horses and passengers are hurled in deadly chaos. # travel # kit harington # modern love # big day # train travel. "perfect crime" in which he would murder Guy's wife, Guy would murder The unusual angle was a more complex proposition than it seems. Strange thing about this trip. "[13] In the novel, Guy is pursued and entrapped by a tenacious detective.[17]. villains, and Hitch agreed with Truffaut that the audience sympathy was more to agree to the plan, and Guy trying to jolly him along and get rid of him. The Strangers on a Train previewed on March 5, 1951 at the Huntington Park Theatre, with Alma, Jack Warner, Whitfield Cook and Barbara Keon in the Hitchcock party[26] and it won a prize from the Screen Directors Guild. [46], Hitchcock carries the theme into his editing, crosscutting between Guy and Bruno with words and gestures: one asks the time and the other, miles away, looks at his watch; one says in anger "I could strangle her!" "Shadow of a Doubt"), and its appeal is probably the linking of an Certainly the casting of Farley Granger as Guy and Robert Walker as Bruno He found exactly what he needed right on the Warners lot in the person of staff cameraman Robert Burks, who would continue to work with Hitchcock, shooting every Hitchcock picture through to Marnie (1964), with the exception of Psycho. "[8] Perhaps it was the circumstances of her forced casting, but Roman became the target of Hitchcock's scorn throughout the production. [46], This doubling has some precedent in the novel; but more of it was deliberately added by Hitchcock, "dictated in rapid and inspired profusion to Czenzi Ormonde and Barbara Keon during the last days of script preparation. space underlined the tension in ways the audience is not always aware of. By the time Guy disembarks from the train, he has unwittingly entered into a deal with the devil, and his life almost immediately begins to unravel. Built on the cummins singapore email address, Animal Adventure Little Luxuries Premium 38 Jumbo Plush Dino. Better still, the two-sided DVD edition of this enduring classic includes both the original version of the film and also the longer prerelease British print, which offers a more overt depiction of Bruno's flamboyant and dangerous personality, and his homoerotic attraction to Guy by way of his deviously indecent proposal. In Hitchcock's cameo he carries a double bass. "[45] Bruno embodies Guy's dark desire to kill Miriam, a "real-life incarnation of Guy's wish-fulfillment fantasy".[45]. Hitchcock left behind two versions of Strangers on a Train. Bruno does murder Guy's wife, and then demands that Guy keep his half of the How perfect for a playful proposal: I'll kill yours, you kill mine. There are two respectable and influential fathers, two women with eyeglasses, and two women at a party who delight in thinking up ways of committing the perfect crime. 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Then a grip put a normal-sized phone on the table, where she picked it up. These events were the background to their work, while Hitchcock, Cook, Ormonde and Keon were preparing the script for Strangers, and film scholar Robert L. Carringer has written of a political subtext to the film. place from Highsmith, whose novels have been unfairly shelved with crime Robert Walker plays a psychopathic murderer that is an apathetic rich boy with a lust for the eccentric. She's behind Miriam in the early Walker plays Bruno as # staring # stalker # alfred hitchcock # strangers on a train # tennis match. What is the climax in Strangers on a Train? A psychopath forces a tennis star to comply with his theory that two strangers can get away with murder. The his best films, including "Strangers on a Train" (1951), in which a Walker eats up the scenery and appears charming at first, if too friendly, then he delves into hatred and . "[62] Roger Ebert has called Strangers on a Train a "first-rate thriller" that he considers one of Hitchcock's five best films. pickup than a chance encounter. Disc2 contains the (slightly longer) 'preview version' of the film,(not greatly different from the 'finished article' but still of interest). A psychopath forces a tennis star to comply with his theory that two strangers can get away with murder.A psychopath forces a tennis star to comply with his theory that two strangers can get away with murder.A psychopath forces a tennis star to comply with his theory that two strangers can get away with murder. is softer and more elusive, more convincing as he tries to slip out of Bruno's "criss-cross" murder deal in "Strangers on a Train" indeed First Hitchcock got the exterior shots in Canoga Park, using both actors, then later he had Elliott alone report to a soundstage where there was a large concave reflector set on the floor. used to finish his final film, "My Son John.") "seductiveness" in the American print. revolving ride to get to the controls. [36], Composer Dimitri Tiomkin was Jack Warner's choice to score Strangers on a Train. "[44], The film includes a number of puns and visual metaphors that demonstrate a running motif of crisscross, double-crossing, and crossing one's double. station with a note asking the sergeant to lock him up until called for. He got a treatment that pleased him on the second attempt, from writer Whitfield Cook, who wove a homoerotic subtext into the story. is a plot made of ingenuity and amorality, based on the first novel by Patricia [63], David Keyes, writing at Cinemaphile in 2002, saw the film as a seminal entry in its genre: "Aside from its very evident approach as a crowd-pleasing popcorn flick, the movie is one of the original shells for identity-inspired mystery thrillers, in which natural human behavior is the driving force behind the true macabre rather than supernatural elements. "[18]always a plus with Hitchcock. Patricia Hitchcock and Kasey Rogers look a little alike and wear very Guy and Anne coldly walk away from him. conversation -- which ends on an ambiguous note, with Bruno trying to get Guy In the casting of Anne Morton, Jack L. Warner got what he wanted when he assigned Ruth Roman to the project, over Hitchcock's objections. allowed an aging actress to manipulate him in "Sunset Boulevard"). with any force or conviction. After appearances in his 2 best British films, "The 39 Steps" (1935) and "The Lady Vanishes" (1938) , the train was elevated to star billing along with the 2 male leads in "Strangers on a Train" (1951).Not only does the train move its Alfred Hitchcock loved trains. Another great shot shows Bruno's face in the shadow of his hat brim, The camera was on one side of the reflector, Elliott was on the other, and Hitchcock directed Elliott to turn her back to the reflector and "float backwards, all the way to the floor like you were doing the limbo. Beyond all the historical footnotes and film-buff fascination, Strangers on a Train remains one of Hitchcock's crowning achievements and a suspenseful classic that never loses its capacity to thrill and delight. either of the actors, Walker's Bruno has been called one of Hitchcock's best There's also the breathtaking runaway merry-go-round ride in the finale, where the operator is shot and the ride keeps going as frantic parents scream and the children hold onto the horses for dear . Interesting more as an "intellectual exercise" than anything else, but indispensable for those interested in seeing how Hitchcock continued to shape his films after an initial cut. they're now both behind bars as he says, "You've got me acting like I'm a "[23], Burks considered his fourteen years with Hitchcock the best of his career: "You never have any trouble with him as long as you know your job and do it. Although On the train, he is recognized by Bruno Antony ( Robert Walker ), an overly friendly man who talks Guy into having lunch with him in his private cabin. Granger is excellent as the harassed young man innocently involved in murder. But perhaps the most memorable music in Strangers is the calliope music,[8] heard first at the fairground and again, later, when Bruno is strangling Mrs. Cunningham at Senator Morton's soire, and experiences his unfortunate flashback and subsequent fainting spell. Bruno's father, and neither would ever be suspected. man becomes the obvious suspect in the strangulation of his wife. Guy creeps into Bruno's father's room to warn him of his son's murderous intentions, but instead finds Bruno there waiting for him. Rogers was effectively blind with the glasses on and needed to be guided by the other actors. Especially with Bruno, who held the movie together as he did the book." Guy Haines, a famous tennis player, is recognized on a train by Bruno Anthony, whose conversation shows a detailed knowledge of Guy's private life. The aestheticizing of the horror somehow enables the audience to contemplate more fully its reality. He The laying bare of Bruno's hidden nature, along with the great set pieces (head-turning tennis match, disintegrating carousel) and suspense as only Hitchcock can deliver, makes for a first-class trip. Guy wants One gets the feeling of a closeted homosexual constantly coming onto Guy. a divorce from his cheating wife, Miriam (Kasey Rogers), in order to marry Anne When Bruno drops the lighter down the sewer, he tells the bystanders, he needs help retrieving his cigarette CASE. So much occurs in pairs. [9] Hitchcock had already shot the long shots for the tennis match at Forest Hills and would add closer shots with Granger and Jack Cushingham, Granger's tennis coach off-screen and Guy's tennis opponent Fred Reynolds on-screen at a tennis club in South Gate, California. The story concerns two strangers who meet on a train, a young tennis player and a charming psychopath. Baiting Guy, Bruno reveals that he feels trapped by his hated father (Jonathan Hale). Highly recommended. Senator Morton: Dreadful. With an emphasis on narrative and visual strategy, Hitchcock controls the escalating tension with a master's flair for cinematic design, and the plot (coscripted by Raymond Chandler) is so tightly constructed that you'll be white-knuckled even after multiple viewings. "The Band Played On" makes its final reprise during Guy's and Bruno's fight on the merry-go-round, even itself shifting to a faster tempo and higher pitch when the policeman's bullet hits the ride operator and sends the carousel into its frenzied hyper-drive. Tennis star Guy (Farley Granger) hates his unfaithful wife. "[61], In contrast, modern reviews have been overwhelmingly positive. Guy Haines (Granger), an amateur tennis star, chances to meet the eccentric Bruno Anthony (Walker) on a train. After Guy arrives, he and Bruno fight on the park's carousel. But a men's three-set tennis match can be eleven hours or thirty minutes, depending on tiebreakers and whether it even goes to three sets at all. The stunt man could have been killed; Hitchcock said he would never take such a Diabolique, intriguing, morally ambiguous and wonderfully directed and narrated. This fear is at the heart of many of Barbara tells Anne that Bruno was looking at her while strangling the other woman, and Anne realizes Barbara's resemblance to Miriam. In Alfred Hitchcock's suspense classic, "Strangers On a Train", a naive and weary tennis pro unwisely allows himself to be enticed into the confidence of a seemingly silly stranger. This is one of Alfred Hitchcock's most complex amd multi-layered films. face, and Guy stands to his right, outside the gate. "[48] It ratchets up a notch when Guy leaves Bruno's compartment and "forgets" his cigarette lighter. Consider the scene where Guy is letting himself into his There are several differences in the British version of the film, including: One would have expected Hitchcock's return to major studio filmmaking to err on the side of chastened caution. the Master of Suspense often asked. Bruno Antony thinks he has the perfect plot to rid himself of his hated father, and when he meets tennis player Guy Haines on a train he thinks he's found the partner he needs to pull it off. Surely few expected his most riotous, unrestrained film, a gleeful melange of vicious black comedy, exciting suspense, mocking manipulation, and astonishing flights of fancy. "[53] Bruno tells Guy what he has done and gives him the glasses. "[8], Hitchcock took a toy carousel and photographed it blown up by a small charge of explosives. "[46] It undergirds the whole film because it finally serves to associate the world of light, order, and vitality with the world of darkness, chaos, lunacy and death. Warner Bros financial information in The William Shaefer Ledger. Criss-cross. Addeddate 2021-02-10 15:58:01 Miriam and the two boyfriends in her odd mnage trois bring "The Band Played On" to life by singing it on the merry-go-round, lustily and loudly Grinning balefully on the horse behind them, Bruno then sings it himself, making it his motto. + a very good 36 min documentary on the film ,a 7 min feature with 'murder victim' Laura Elliot, an 11 min 'Hitchcock family' feature and a 12min appreciation by director/fan M.Night Shyamalan- so all in all a good package of a film that's always worth another viewing,that's currently available at a good prices. Full content visible, double tap to read brief content. It's worth noticing that [9], Kasey Rogers (credited as Laura Elliott) noted that she had perfect vision at the time the movie was made, but Hitchcock insisted she wear the character's thick eyeglasses, even in long shots when regular glass lenses would have been undetectable. "Vertigo," "Notorious," "Psycho" and perhaps Amateur tennis star Guy Haines wants to divorce his promiscuous wife Miriam so he can marry Anne Morton, the daughter of a US Senator. The only sadistic part was I never got the hundred dollars."[43]. Hitchcock also cast Granger in "Rope" (1948), based on the In the novel, Guy Haines is not a tennis player, but rather a promising architect, and he does indeed go through with the murder of Bruno's father. The original version (Side A) is an all-time thriller classic. "Holden would have been all wrongtoo sturdy, too put off by Bruno", writes critic Roger Ebert. so often do, with a sense of private scores being settled just out of sight. At first glance, Guy represents the ordered life where people stick to rules, while Bruno comes from the world of chaos,[49] where they get thrown out of multiple colleges for drinking and gambling. manner is pushy and insinuating, with homoerotic undertones. And since it is Guy's foot that taps Bruno's under the table, we know Bruno has not engineered the meeting. "[37] The powerful music accurately underscores the visuals of that title sequence the massive granite edifice of New York's Pennsylvania Station, standing in for Washington's Union Stationbecause it was scored for an unusually large orchestra, including alto, tenor and baritone saxes, three clarinets, four horns, three pianos and a novachord. One day, he meets a stranger named Bruno on a train going back home. ] always a plus with Hitchcock used Guy to make the film `` a parable quietly defiant the... Bruno and what he stands for [ 18 ] always a plus Hitchcock! To force him to kill Bruno 's under the table, where she picked it.. Plan: fiction when she actually writes mainstream fiction about criminals under the table, where picked! '' his cigarette lighter Anthony ( Walker ) on a Train Love is 'Strangers on a Train, a tennis. 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